
| |
| Digital |
|
$8.99 |
 | | |
| 320 kps MP3 DRM Free |
| Includes artwork & liner notes |
| 64.25 MB zipped |
| |
| |
|
|
| In Jewel Case with liner notes |
| Re-mastered from origial tapes |
| Digital download included |
| |
| |
|
|
|
|
| Pressed on 180 gram virgin vinyl |
|
Pressed in the United States with original artwork restored |
|
| Digital download included |
| |
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
| Recommended |
|
| |
ESP's first recording session was on July 10, 1964, in the tiny Variety Arts Recording Studio, just off Times Square. Just before 1 PM, SUNNY MURRAY arrived, a large, genial walrus, moving and speaking with an easy agility that belied his appearance. GARY PEACOCK was next, tall, thin, ascetic looking, and soft spoken, with an introspective and kindly demeanor. ALBERT AYLER was last, small, wary and laconic. The walls of the reception area were covered with Latin album jackets. The engineer quickly set up the mikes and began the session. B sat outside in the reception area with Annette Peacock, Gary's wife. As the music was heard through the open outer door of the control room, felt a sense of jubilation. At one point, the engineer fled the control room for a few minutes, but returned in time to change the tape for the next selection. When the session was over, B learned that it had been recorded in monaural, although he remembered requesting a stereo recording. Happily, the engineer Joe had properly miked and mixed the session, and the recording stands today as a classic of the genre. After the session, the participants sat in a coffee shop next door, while they were paid and signed recording agreements. A few days later, B saw them off on their flight to Europe from Idlewild International Airport for a European tour. DON CHERRY was with them.
|
Personnel
Albert Ayler (ts)
Gary Peacock (b)
Sunny Murray (d)
Track Listing
|
| 1. |
Ghosts (1st variation) |
|
| 2. |
The Wizard |
|
| 3. |
Prophecy (Spirits) |
|
| 4. |
Ghosts (2nd variation) |
| |
|
Press Quotes
"Spiritual Unity was the album that pushed Albert Ayler to the forefront of jazz's avant-garde, and the first jazz album ever released by Bernard Stollman's seminal ESP label. It was really the first available document of Ayler's music that matched him with a group of truly sympathetic musicians, and the results are a magnificently pure distillation of his aesthetic. Bassist Gary Peacock's full-toned, free-flowing ideas and drummer Sunny Murray's shifting, stream-of-consciousness rhythms (which rely heavily on shimmering cymbal work) are crucial in throwing the constraints off of Ayler's playing. Yet as liberated and ferociously primitive as Ayler sounds, the group isn't an unhinged mess -- all the members listen to the subtler nuances in one another's playing, pushing and responding where appropriate. Their collective improvisation is remarkably unified -- and as for the other half of the album's title, Ayler conjures otherworldly visions of the spiritual realm with a gospel-derived fervor." - Steve Huey
History
|
| Lp (white on black) |
 |
| Lp/CD (black on white) |
 |
| Lp (red on white) |
 |
| Lp (brown silkscreened on orange, pre-release edition numbering 200 copies, signed by the artist) |
 |
| CD Via reissue |
 |
| |
| |