3D Sound...How We Really Hear...



On location film recordist specializing in multitrack music shoots and film sync systems. First person to use time code. Film credits include:

• Soul Power – Location Sound Coordinator – 09' - NY Times Critics' Pick this movie saying “performers captured with remarkable sonic brilliance” in first paragraph.• When We Where Kings - Prod. Music Supervisor-“BEST DOCUMENTARY”- 97' Academy Award “Oscar” Winner• Presently - ADR - Universal Television's " Law and Order-Special Victims Unit"• Presently - ADR - Universal Television's "Law and Order"• ADR - Universal Television's "New York Undercover"• Playback and system design - Universal Television's "New York Undercover"• 1995 - Playback audio and system design - "Central Park West" • Cuba Calls - 1995 Documentary - Consultant • First Class - with Marcel Marceau, Film Mixer• The Stalking Moon - with Gregory Peck• Our Latin Thing - highest grossing Salsa movie• Salsa - the sequel• Exterminator - on location Stan Getz sequence• 9 ½ Weeks - on location music sequence with Ron Wood• Thank God It's Friday - The Commodores sequence at Madison Square Garden• C.S. Blues - The Rolling Stones post-production music mixer and sync reconstruction• The Ali-Foreman Fight - Kinchasa, Zaire - first use of time code• The Hell's Angels Forever• Harlen County - "BEST DOCUMENTARY" Academy Award “Oscar” winning documentary• Svengali - location playback• Television commercial clients• Film mixer for R.K.O. Pictures 1967-1972 - 36 track interlock system with 4 track pick-up recorders, full 35mm, 16mm, CinemaScope projectors with Xenon, on premises SFX, Foley, ADR, optical transfer, large music studio with multitrack audio to picture dubbing stage, Dolby. Purchased studio from RKO and owned in partnership from 1972-1976.